Author: Chris Jerrey

Uncivilised Photography

“This response we call Uncivilised art, and we are interested in one branch of it in particular: Uncivilised photography. Uncivilised photography is photography which attempts to stand outside of the human bubble and see us as we are: highly evolved apes with an array of talents and abilities which we are unleashing with sufficient thought, control, compassion or intelligence….

… Against the civilising project, which has become the progenitor of ecocide, Uncivilised photography offers not a non-human perspective – we remain human and, even now are not quite ashamed – but a perspective which sees us as one strand of a web rather than the first palanquin in a glorious procession. It offers an unblinking look at the among which we find ourselves”.

Dark Mountain Manifesto https://dark-mountain.net/about/manifesto/

This passage is from “Uncivilisation: The Dark Mountain Manifesto”, page 20. Except that I have substituted ‘uncivilised photography’ for ‘uncivilised writing’ in the original text. My apologies to the authors.

The idea of uncivilised photography intrigues me. Photography is very much a product of the technological, Modern era. The most dedicated person could, like Niépce or Fox-Talbot, build a camera from scratch, but it would require an extensive skill-set. For most photographers, the dependence on equipment is a given, the variables are how the individual expresses themself with these mass-produced tools.

It may become the case that the uncivilisation process takes a path such that photography becomes impossible when the technical support for the equipment is no longer available. I suspect at that stage, I will be more concerned with obtaining food than making art.

But, for now, photography is able to step outside of the world that created it and be the medium of a critical commentary: uncivilised photography.

Such a step is analogous to the changes we need to make as humans. I grew up in the 1960s and 1970s and wanted for nothing. That was the experience of many in Europe and North America. But the world economy that supplied people like me so lavishly has faltered. It has hit the limits of exploitation and disastrously undermined the climate. My gilded early life came at a monumental cost. So now it is up to me and people like me to take a cold, hard look at the world we came from and decide where we are going next.

We must be critical of the culture we came from. It had many failings and we should name them. That criticism should not be limited to rational arguments as that is limited in its reach. We also need to reach out through the arts to engage emotionally. This is why Dark Mountain calls for uncivilised writing and I say, why not uncivilised photography?

Because photography is a visual medium, questions will be asked about what uncivilised photography will look like. Will a picture that is largely out of focus qualify as uncivilised?

Emphatically, no. Cultures that sit outside of ideas of civilisation can still produce precise, functional and beautiful artefacts. Uncivilised photography is more about stepping out of the comfortable place of consumer capitalism and looking critically into that culture instead. It is about looking at the natural, raw and sacred parts of life. It produces images that are timeless because they could have been made at any time. It is about being outside and free of the dominant culture.

The fundamental failing of modernity is its placing of human rationality as the crowning glory of the world. Uncivilised photography and uncivilised writing tell a different story. Of human beings as part of the world, in communion with it and accepting its limitations. Civilisation should be something to be observed with scepticism and with the knowledge that all civilisations fall, usually due to their own hubris.

Uncivilised photography is the inverse of nature photography. Rather than humans looking out to an external nature, uncivilised photography is at one with the world and peers with curiosity at what humans are doing. Humans and their civilisation are oddities, they should be viewed as such.

Humans have been presented with a beautiful, supportive, abundant world and they have proceeded to strip it of everything, even life itself. The world system is capitalism and capitalism values nothing but money. It is absolutely right to step out of this system and turn a critical eye upon it.

“I have seen the invention of human flight; a chief desire of man’s dreaming heart for ten thousand years;
And men have made it the chief of the means of massacre”.

Robinson Jeffers, The World’s Wonders, 1951

Animal Rebellion, Smithfield Market 24/08/2021

Animal Rebellion, Smithfield Market

Extinction Rebellion is not about the “environment”, it’s about us. People, humans, homo sapiens.

The science on climate change is clear. If we don’t make drastic changes very soon then crop failures, floods, droughts, wildfires, species loss, deforestation, land disappearing beneath the sea and millions of refugees fleeing from all of the above will make life in the future very difficult indeed. In some places, it will become impossible.

If we carry on treating the Earth as a dustbin and each other with disrespect, the future is bleak.

So I support people like David Attenborough, Caroline Lucas, Greta Thunberg, Michael Mann and Katherine Heyhoe who call for change. And I support groups like Extinction Rebellion, Greenpeace and Client Earth who are campaigning for change.

We need to:

Stop new fossil fuel licencing and exploration

Stop roadbuilding

Drastically reduce meat consumption

Make sustainable mass transit systems cheaper and easier than cars or aircraft.

Stop trucking food for hundreds of miles before it reaches the shop

Reduce our consumption of stuff

That’s just for starters. It’s vital and we need to Act Now.

Earth Photo 2021

My picture Carnival of Corruption was shortlisted for Earth Photo 2021 in the category A Climate of Change. Here is the picture on display at the Royal Geographic Society in London.

When I received the news that I was shortlisted, I was genuinely astounded. It’s a great feeling to be recognised in this way. Many thanks to Earth Photo, the RGS and the panel of judges.

The Impossible Rebellion

On 23rd August 2021, Extinction Rebellion returned to the streets of London to stage the Impossible Rebellion. The rebellion is to push the climate crisis back onto the agenda of the government, business and the media. The crisis hasn’t gone away, so neither have the protests.

Rewilding Coombeshead

Beavers fell a tree by gnawing at the base until the trunk starts to look like two pencils balanced point to point. Eventually, there is not enough wood to hold the tree upright and it falls. Then the beaver strips the tree and uses the branches and leaves for food or dam building. These pencil stumps have not been seen in the wild for over 300 years since beavers became extinct in Britain.

“Became extinct” is too gentle a phrase to describe the violent demise of beavers. They were killed, every last one, by human hunters who considered that the beaver’s body parts, mainly skin and glands, had more value than the living creature. They were slaughtered into extinction.

Fortunately, in the latter half of the 20th century, ideas of preserving wildlife and its habitat became popular and found their way into law. In the 21st century, attention has turned to try to undo the damage of the past and re-introduce some of the creatures once native to Britain. If you read about re-introductions and wilding in Britain, sooner or later you will encounter the name, Derek Gow.

Gow is a conservationist who operates a farm on Dartmoor. He began re-introductions by breeding and releasing water voles, but rapidly realised that successful re-introductions depended on being able to release the animals into the right ecosystem. The animals didn’t just need food, they needed habitat, prey, peers and even predators to establish themselves in the land.

Beavers caught Gow’s eye because, by damming watercourses, they create exactly the conditions that support water voles; wetlands rich in insect and invertebrate life. Today, Gow has around 15 beavers on his Coombeshead Farm in Devon and has been involved in multiple re-introductions around the UK.

The beavers dammed a stream that ran in a deep channel. In places, the dam was nearly 3 metres high. The resulting ponds and wetlands provide a safe habitat for the beavers and many other animals and plants. This is exactly the biodiversity that is so lacking in many parts of the British countryside. Decades of intensive farming, hedgerow removal, road-building and thoughtless development have removed critical parts of functional ecosystems. Biodiversity, which is the very nature of life, needs space to form and grow. Beavers are nature’s engineers. They create the conditions for life.

https://rewildingcoombeshead.co.uk/

Team Work

Yesterday (1st June 2021) I covered the Extinction Rebellion action at BP Oil’s Hamble Terminal. I worked at the main gate and a colleague was at the side gate. Pictures were edited on-site (in the car) and uploaded to a file store. The pictures were then promoted to the media by the Media and Messaging team.

In terms of media coverage, this was one of the most successful actions I have been involved with. Local BBC and ITN reporters attended and presented video reports. Articles appeared in media in many countries. My work appeared in the following reports (not always attributed correctly!)

Evening Standard

https://www.standard.co.uk/news/uk/extinction-rebellion-government-cornwall-hamble-england-b938245.html

The Independent

https://www.independent.co.uk/news/uk/home-news/terminal-blocked-extinction-rebellion-protest-b1857619.html

The Portsmouth News – second, third and fourth pictures incorrectly attributed to my colleague Will Templeton.

https://www.portsmouth.co.uk/news/environment/hampshire-oil-terminal-serving-petrol-stations-across-the-south-of-england-blockaded-by-extinction-rebellion-protesters-3257344

Express & Star

https://www.expressandstar.com/news/uk-news/2021/06/01/oil-terminal-blocked-in-greenwash-protest-by-extinction-rebellion-activists/

Belfast Telegraph

https://www.belfasttelegraph.co.uk/news/uk/oil-terminal-blocked-in-greenwash-protest-by-extinction-rebellion-activists-40491221.html

Irish Examiner

https://www.irishexaminer.com/world/arid-40303601.html

Guernsey Press

https://guernseypress.com/news/uk-news/2021/06/01/oil-terminal-blocked-in-greenwash-protest-by-extinction-rebellion-activists/

The Canary

https://www.thecanary.co/uk/news/2021/06/01/oil-terminal-blocked-in-greenwash-protest-by-extinction-rebellion-activists/

Hampshire Live News

https://www.hampshirelive.news/news/hampshire-news/extinction-rebellion-bp-oil-southampton-5477910

Colnbrook Incinerator

Colnbrook Incinerator

Four hundred and forty thousand tons of rubbish pass through the gates of Colnbrook Incinerator each year and are never seen again.

This kind of industrial magical thinking applies right along the chain of waste. Manufacturers have convinced us to accept extraordinary amounts of single-use packaging that has no further use once it is removed from the product. Hopefully, we diligently separate the recyclable items and put them in the correct bin. Once the bin has been emptied by the local council, we need never think about this stuff again. But it has to go somewhere, and if you live in the Slough area, your waste will be going into this incinerator.

Disposing of rubbish is difficult. Traditionally, it has been dumped in landfill sites, but as the material decomposes, large amounts of methane are produced. Methane in the atmosphere is much more effective at trapping the sun’s energy than carbon dioxide. So releasing methane is really, really bad for the climate.

Incinerating the rubbish avoids producing methane, but the process still produces roughly the same weight of carbon dioxide as the weight of rubbish fed into the process. The incinerator website is very proud of the 37 megawatts of electricity produced by burning this rubbish but less so about the carbon dioxide. No figure for emissions is offered.

Landfill material is usually about one-third carbon. The rest is water, metals and other minerals. When carbon is burned, it creates three times the mass of carbon dioxide (each carbon molecule bonds to two oxygen molecules). Just this single facility is probably producing at least 440,000 tons of carbon dioxide each year.

Rubbish is bad news for the climate. As soon as something is discarded, it becomes litter or landfill. Either way, it is a source of pollution. The only effective way to deal with the problem is to drastically reduce the amount of stuff we discard.

Earthing

On Frosty Ground

The climate crisis is caused by human remoteness and disdain for nature. If we loved the natural world and considered it sacred, we would not do the harm that we do. We need to get back in touch with nature, feel the cold, the wet and the sun.

Ancient Yew Tree


Kingley Vale, West Sussex

This ancient yew is part of a grove in which some of the trees are two thousand years old. Many ancient yews were cut down in the fifteenth century to make longbows. Somehow, those in Kingley Vale survived to become some of the oldest living things in the UK.

Published

As planned, I spent Monday and Tuesday mornings with the XR rebels disrupting tanker arrivals at Horse Hill in Surrey. Pictures were duly edited and sent off to the media team for onward distribution to media organisations.

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XR Action Horse Hill, June 2020

Horse Hill in Surrey could be one of the largest producers of oil and gas in the UK. Oil and gas mean more carbon dioxide emitted into the atmosphere and more disruption to the climate.

To draw attention to this reckless new development, Extinction Rebellion visited the site in the early hours of Monday 1st June 2020. Two women locked themselves together at the entrance preventing vehicles entering or leaving. Two men entered the compound and occupied the roof of a building.

Read more

Pixel Wireless Timer Remote Control TW-283

This gadget was one of those things you buy because you think it might be useful, it then turns out to not be useful and then you forget about.

The reason I decided it wasn’t useful was that I simply could not understand the instructions. There seemed to be a lot of functions, but I had no idea how to make them work. One more try, I thought and searched for a better explanation of the functionality.

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October Rebellion, Birdcage Walk

This is a scene from Birdcage Walk on the evening of Wednesday 9th October 2019.

The police have just removed a gazebo sheltering these women. They are glued together and content to be arrested. The whole process was conducted with great civility by both sides. If Colin Dexter (author of the Inspector Morse stories) were to plan a rebellion, this is how it would be.